Narrative Medicine Monday : What Can Odd, Interesting Medical Case Studies Teach Us?

Physician author Siddhartha Mukherjee writes in the New York Times about coming across an unusual case study recorded by the late Oliver Sacks. Sacks describes the case of a woman who had a “lifelong history of seeing people’s faces change into dragonlike faces.” Though not a neurologist, like Sacks, Mukherjee is fascinated by the case. A thorough evaluation, including neurological examination, M.R.I. scan and experimental treatments revealed no answer or resolution.

Mukherjee is puzzled by the inclusion in a prominent medical journal. He ponders: “There was no revelatory flourish of diagnostic wizardry….. It was as if Sacks lobbed the puzzle into the future for someone else to solve: In some distant time, he seemed to imply, another neurologist would read this story and find resonances with another case involving another patient and complete the circle of explanation.”

Mukherjee notes that Hippocrates, the father of medicine, himself outlined case histories that remained a mystery without a clear diagnosis. Mukherjee recognizes that medicine has changed: “But over the years, as the discipline of medicine moved concertedly from descriptive to mechanistic, from observational to explanatory and from anecdotal to statistical, the case study fell out of favor. As doctors, we began to prioritize modes of learning that depended on experiments and objectivity.”

Mukherjee seems almost melancholy about the demise of the case study and what this omission means to medicine: “I miss the acuity of the observations, the scatter plots of symptoms that cannot be put into neat boxes, the vividness of description…. I worry that unknown unknowns will go unwritten — that buried within such cases, there might have been a cosmos of inexplicable observations that might, in turn, have inspired new ways of thinking about human pathology.” What role might narrative medicine play in honing the observational and descriptive skills of medical professionals that Mukherjee notes is lacking in today’s medical world?

Writing prompt: Do you agree with Mukherjee that something is lost in devaluing the case study? If so, what is lost? Think of a patient or family member whose illness was unique and perhaps undiagnosed. Write their case study, a detailed accounting of their history of illness. Write for 10 minutes.

Continue Reading

Free Write Friday: Theater

We’re both reminded of the Vienna Opera House. A decade ago we backpacked through Europe, before Instagram, before kids, before middle age trappings. The filigree, the chandeliers sparkling high above recall the memory for both of us, hippocampi aligned.

Glossy programs stacked high at the entrance relay the actor’s faces, serious and serene. There is no curtain for this show, only one set with minimal props. The music explodes into the air as the house lights dim. The voices, angelic, trumpet as I melt away into the narrative.

Honeycombed notes ring up through the rafters, beats play out on stage as they reverberate throughout the hall. I am in awe of the cast, of the the crew, of the writers. To bring such a story to vivid musicality, to delight the creative and intellectual senses: it is a feat.

The chorus is stunning to the ears but solos make me pause in wonder. To stand on stage with a spotlight aimed at you like a cannon. Absorb, and then deflect, all that energy from the sea of unseen bodies in the darkened audience. To project such a voice, such a singular act into the void of voyeurs. Talent doesn’t seem a sufficient word for the accomplishment.

I suppose it is a gift, to elicit wonder from a crowd of so many. The applause erupts as the finale decrescendos. We step out into normalcy, soundstruck.

Continue Reading