Narrative Medicine Monday: Falling Fifth

Anesthesiologist and poet Audrey Schafer aruges that anesthesiology is actually an incredibly intimate medical specialty. In her poem, “Falling Fifth: The Neurosurgery Patient and the Anesthesiologist,” she tells NPR’s Sara Wong that her speciality is incorrectly viewed as more “knob-and-dial oriented than people-oriented.” Her poem outlines a poignant moment between her and a patient, hugging over “wires, bandages, the spaghetti of tubes, the upright side rail” in the sterility of the OR.

I think of the specialties that seemingly don’t interact as much with patients: radiology, pathology. I can see a familiarity that goes beyond even my most personal interactions with patients as a primary care physician. Radiologists see beyond a person’s skin, through their muscles, bones and vital organs. Pathologists meet a patient on a microscopic tissue level. I like how Schafer displays the connectedness between the anesthesiologist and patient: the physician serves as a trusted guide out of and back into consciousness. 

Writing Prompt: Have you ever had anesthesia? What was your experience both going under and coming out of a conscious state? Alternatively, are you in a medical speciality or type of profession that doesn’t traditionally interact much with people? Is there a component of your daily work that’s surprisingly intimate or keeps you connected to others? Write for 10 minutes. 

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Published: Skinnamarink

After receiving a particularly disappointing rejection for a writing residency I had high hopes for, I sent out a flurry of submissions and applications a few weeks ago. In the literary world of slow responses and recurrent rejection, I’m always grateful and pleasantly surprised to get an encouraging nod: an acceptance!

I’m excited my essay “Skinnamarink” goes live on Tribe Magazine today. Tribe speaks to all things motherhood and is a vibrant community created by the unstoppable Kristin Helms. I wrote this particular essay last year while taking Kate Hopper‘s wonderful “Motherhood & Words” online writing course. More recently, I took a Creative Nonfiction online course on writing a nonfiction book proposal headed by the superb Waverly Fitzgerald. Before taking the class I had no idea how much was involved in getting a book published. I mean, no idea. It’s a process, people. I have a whole new respect for every published author and look at each book on my shelf in an entirely new light!

As I’ve delved more into the literary and publishing world, I’m understanding the need to both trust in and defend an artistic vision, as well as develop a porous enough thick skin to harness the critique and wisdom of others to hone that art to its full potential.  I intend to keep working on my current manuscript until it can find a home for publication and be worthy to be read by others. It’s important to me that it be a final product I can be proud of, whether it takes many more months, years or even decades to finish. I want it to inspire more work as I’m already developing two more book ideas. And although I’m piling up rejections as any persistent writer will (apparently I crave professions that feed into the imposter syndrome), I’ll savor the acceptances as the jewels they are. 

Many thanks to Tribe for featuring my post today!

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